The Dayton Victoria Theatre Ghost Class 2014



Josephine Schwarz "Miss Jo" co-founded the Dayton Ballet with her sister Hermene in 1937. Miss Jo studied in Chicago, New York and Europe; performed in New York; and was a notable choreographer, with almost 80 works to her credit. The dancers she taught in Dayton went on to companies such as the New York City Ballet and the Joffrey Ballet, or became artistic directors or mentors to young dancers. Sadly, Miss Jo passed away in 2004.




Dates:
January 3rd, 2014

Weather:
Lunar Cycle:
%8 Waxing Crescent Moon, Solar X-Rays:Normal, Geomagnetic Fields:Quiet, Temp.:5 degrees, Conditions:Clear Snow and cold, Humidity:64 percent

Location:
138 North Main Street, Dayton Ohio 43653

History:
The Victoria, one of the oldest continually operated theaters on the continent, was opened to the public as the Turner Opera House on New Year's Day, 1866, at a cost of $225,000.[2] Its initial offering was the James Sheridan Knowles drama "Virginius, starring Edwin Forrest – a play strongly associated with the famous actor.[3] According to press clippings of that era, the theater was referred to as "the best [sic] theater west of Philadelphia". General admission was $1. The best seats in the house were between $10 and $12.[4] The theater's presence in Dayton even inspired the publishing of a musical march by Edward Spoth entitled "Turner's Opera House March". Arson was suspected of having caused an all-consuming fire May 16, 1869, which destroyed the theater at a loss of $500,000, of which insurance covered only $128,000.[5] In 1871, the edifice was re-opened – its rebuilding based, in part, on a portion of the surviving facade, although built to three stories instead of six. The opera house resumed operations as "The Music Hall". It in 1885 it became "The Grand Opera House". On September 18, 1899, it became the "Victoria Opera House", and in 1903, it became the Victoria Theatre,[6] two years after the death of Queen Victoria of England. Damage again befell The Victoria during the catastrophic Great Dayton Flood of 1913 which severely damaged the Dayton region along with the ground floor of the theater. The theater's interior was rebuilt and remodeled. But on January 16, 1918, fire struck again and gutted portions of the building. Reconstruction was delayed due to material shortages during World War I. Thus, after Armistice, The Victoria saw extensive interior remodeling and in 1919 re-opened as "The Victory Theatre" – a name commemorating the American war effort and its result. For decades, the theater thrived as a major national embarkation point for traveling theater and stock companies. This included performances by Al Jolson, The Marx Brothers, Helen Hayes, Fannie Brice, George M. Cohan, Lynn Fontayne, Gertrude Lawrence, Alfred Lunt, Harry Houdini, and many other names.In 1930, the Victory Theatre was outfitted for talking pictures, in its effort to continue as a full-service cinema house. By the late 1960s, Dayton's changing business patterns Downtown and the proliferation of freeways and suburban shopping malls threatened the Victory Theater's existence, and in 1975 it was slated for demolition, in favor of a proposed parking lot. A public outcry for the theater's preservation that year helped to earn the building its listing in the National Register of Historic Places and, thus, it escaped demolition. However, portions of the building were in poor or fading condition. All the while, it continued to be visited extensively by traveling theater companies. Twyla Tharp - the famed choreographer - used the Victory as a try-out venue for various productions before taking the material to the East Coast. A popular vintage film series drew patrons during the summertime and featured pipe organ house music and silent film accompaniment, thanks to the acquisition of an NCR-donated Estay pipe organ. The theatre had a network of access tunnels stretching out beneath the city's streets for several blocks. It was said that, during Vaudeville times, the tunnels allowed circus animals to be unloaded from railroad cars blocks away from the theatre, and held underground until showtime. As late as 1979, much of the tunnel network was accessible to employees, although some sections were blocked off by city steam pipes. The stage also bore remnants of its original gas footlights. Throughout the 1970s, the theater was operated as "The Victory Theater". It staged legitimate theatrical shows, rock concerts and movies. The theatre was also home to the nationally-known Dayton Ballet Company. A mainstay through the period was its screening of "Midnight Movies", offered by a local independent producer, on Friday and Saturday nights that drew a, largely, teen audience for films with counter-cultural themes. During revitalization efforts in the late 1970s, the stage manager, Gary Kuzkin, overhauled much of the stage's technical capabilities. Crews from the Stagehands Union (IATSE) local restored much of the theatre's ancient hemp-and-sandbag fly galley, replacing several hundred thousand feet of rope—along with miles of electrical wiring. In 1978, the theatre was greatly benefited by the donation of a cache of equipment and stage draperies from National Cash Register's (NCR) auditorium, which had been slated for demolition. NCR also donated its historic five-rank Estay pipe organ to the Victory, which was renovated and installed by aficionados. The 1989 rebuilding of the theater was extensive. It involved razing the interior commercial space within the forward, Main Street-facing section of the building as well as the stage house, while carefully preserving and restoring the 1866–71 facade and the 1919 auditorium. At the same time, the interior auditorium portion of the structure was completely renovated. All of the commercial space at street level was reclaimed for a grand, new lobby. The result was an extensively-new Victoria Theatre (as it was now so re-named) designed expressly for the performing arts. The auditorium retained its original appearance with completely restored plaster work, drapery, marble work, gilding, and fresco detailing. Additionally, the house received state-of-the-art upgrading to its wiring, lighting, and sound systems and now accommodated infrared sound transmitters for headphone use. The current theater accommodates 1,154, with 635 seats in the orchestra, and 519 in the balcony. The proscenium measures 37'7" wide by 29'0" high by 39'3" deep. A full-sized orchestra pit lies just below the stage lip. Ten dressing rooms, accommodating up to 18 people, are off-stage left, in the basement and at stage level. In 2003, the Benjamin and Marian Schuster Performing Arts Center, under the operation of The Victoria Theatre Association, opened as another venue to house the Associations larger Broadway productions as well as large acts. The Dayton Philharmoinc, the Dayton Opera, and the Dayton Ballet also rent the building for their performances. These two venues along with the Metropolitan Arts Center, which is a renovated former department store building next to the Victoria Theatre, are able to hold a variety of performances of any size and is the heart of the performing arts district in Downtown Dayton.

Team:
Lee, Patti, Patrick and Jim & (24) Guests

Gear:
2-EMF detectors, 3-K2 meters, 3-Sony HDR camcorders, 1-Sony night shot camcorders, 1-FLIR Thermal Imaging Camera, 2 full spectrum cameras, 4-digital voice recorders, 1-parabolic mic, 2-PSB7 Spirit Box w/ALTEC speakers, 1-RIM-POD, 4-EM Pumps, 1-Laser Grid, 1-Ovilius, Several Trigger objects.

Personal Experiences:
The Theatre will not let you down. You will get touched, see shadows & even hear voices. It is definitely worth doing a tour through. We want to thank the Victoria Theatre Association, Jo Ann Brown & Harley for this wonderful time. We also want to thank the attendees for there involvement to help the need. We had a great time with you.

Results:
HAUNTED

A place where ghosts are reported and is described as haunted and often seen as being inhabited by spirits of deceased who may have been former residents or were familiar with the property. But not all hauntings are at a place of a violent death, or even on violent grounds. Many cultures and religions believe the essence of a being, such as the 'soul', continues to exist. Some philosophical and religious views argue that the 'spirits' of those who have died have not 'passed over' and are trapped inside the property where their memories and energy are strong.

Comments:
A wonderful historical place with kind spirits that dont mind sharing with us.

Documentation:
The below EVP's are 99% raw from the recorder. Only a few have been slightly amplified using Audacity Audio Editor. We presented our interpretation of these voices and suggest you listen and make your own decisions about whats being said. Feel free to contact us about procedures, techniques, equipment or ideas about what we have captured here.

DOWNLOAD AUDACITY HERE.

evp's

EVP - crying.

EVP - eight.

EVP - hey.

EVP - Is Lee Wright still here.

EVP - hi.

EVP - Patti.

EVP - Jo Ann.

EVP - check it out.

EVP - Hey Lee.

EVP - please.

EVP - show us.

EVP - Kelly.

EVP - Who's he.

EVP - thank you.